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Start building a blues rhythm foundation strong enough to support anything.
This course started out as a simple way to begin mixing lead lines in with a simple blues shuffle in E. But it turned into something different, and much, much larger.
It should probably be called “Blues Shuffle Foundations” or something grand like that because it is a massive course that helps you build (or rebuild) your rhythm foundation from the ground up, and gives you the tools necessary to expand on that foundation in endless ways.
Here’s the thing…. there’s so much foundational rhythm stuff in this course that it doesn’t even get to the point where you’re adding in licks. Rather, we focus on building a rhythm foundation so broad and so strong that it can support whatever you build on top of it.
This is a foundational course, and it’s for people ready to build.
Here is a complete overview of what is taught in this course.
This section starts at the bottom with a simple blues shuffle. You'll learn the most basic version of a shuffle, how to play it in several different places on the fretboard, and how to play a single note version of it.
This section helps you develop your ability to hear the 12-bar blues rhythm in your head even when you stop playing. You need to be able to hear the rhythm in your head so that you never lose your spot while playing something else.
In Section 3 we'll add a few simple embellishments to the basic blues shuffle, transforming it into something that sounds much more elegant, and has a sense of "movement" between bars.
In this section you'll learn about E-Form, A-Form, and some 7th chords. You'll learn how to locate different forms of each chord all over the fretboard, and have plenty of exercises to help you quickly switch between them.
In Section 5 we'll use all the chords taught in Section 4, and learn some simple strumming patterns to mix them in with our blues shuffle.
In this section we'll use the same chords, but we'll play them over more complicated strumming pattnerns, while mixing them in with a blues shuffle.
In Section 7 we'll learn some embellishments that allow us to play the chords in a "lead-like" way, blurring the lines between lead and rhythm.
In this section we'll study the awsome "triangle" shapes, and the sliding 9ths heard in so many blues songs.
In Section 9 we'll learn how to play chords as a series of individual notes using different arpeggiation patterns.
Finally in Section 10 we'll learn a bunch of different turnarounds for ending 12-bar shuffle choruses in style.]
Section 11 helps you to take all the techniques, chords, and patterns taught in this course and put them to work, using them interchangeably over a blues shuffle.